Born at Piacenza 1675. Lived several years at Cremona, where he was a pupil of Stradivari.(some writers thought he was't taught by Stradivari ) Worked at Milan, 1730. Returned to Piacenza and worked there until death, 1760.
These are generally built on a smaller (though somewhat bold) pattern than those of Joannes Baptista. Declivity of arching very slight, and shows the predominance of good sense and exact reasoning. Breadth of design commands admiration, all the proportions show a methodical plan - the result of thought and reflection. Outline has not that absolutely complete grace which may be combined with vigour. Wood invariably of distinguishing excellence. Scroll is not so praiseworthy, and seems to shrink away from the better-attended-to body. It has none of the delicate traits of the Stradivarian, but there is decisive marks of originality, and for this we should be thankful. Waist curves particularly attractive, though not Strad-like. Purfling rather far short of perfection, fully showing he had not the complete assuredness of an accomplished craftsman. Corners heavy looking - a pity he did not restrain his irregularities of fancy in this comparatively small matter.
Sound-holes vary - some fairly graceful and somewhat retaining the grand symmetry of the Stradivarian, others rather slanting and more pointed, bringing the Guarnerius type into view. Generally chose better (at least prettier) wood than some of the other members of the family. Age has given luxuriance and maturity to the naturally genial warmth of the exquisite golden red varnish which, in our judgment, surpasses that of any of his relatives. Tone beautifully rich, but not evenly penetrating - lower strings sound slightly dull after the brilliance of the E string.
Nevertheless, they are eagerly bought up, and realise very high figures. Perhaps their scarcity adds considerably to the commercial value.
Also occasionally produced Maggini model violins, with double purfling.
Very fine specimen, dated 1743, played on for many years by Efram Zimbalist (famous virtuoso). £800, 1959.
Born at Piacenza 1675. Lived several years at Cremona, where he was a pupil of Stradivari.(some writers thought he was't taught by Stradivari ) Worked at Milan, 1730. Returned to Piacenza and worked there until death, 1760.
These are generally built on a smaller (though somewhat bold) pattern than those of Joannes Baptista. Declivity of arching very slight, and shows the predominance of good sense and exact reasoning. Breadth of design commands admi...
Guadagnini,Lorenzo
