Most brilliant representative of the family. Born at Mittenwald, 1840. Trained in the workshop of his father Johann; worked with Andreas Engleder at Munich, also studied ’cello playing with Werner at the Conservatorium. Proceeded to Vienna where he was assistant to Gabriel Lembock; then spent six years under the guidance of J. B. Vuillaume at Paris; also continued his ’cello studies by taking lessons from Franchomme. The cleverness of his subsequent work must be entirely attributable to the impressions gathered from the masterpieces continually passing through the hands of the eminent Frenchman. Worked a few months in London; opened an establishment at Berlin, 1867; worked there with two workmen until 1883. Death of brother and father necessitated his return to Mittenwald, where he took over the control of “Neuner and Hornsteiner”. Had branch premises and workmen at Berlin and Innsbruck. Appointed maker to the Bavarian Royal Family. Recipient of various medals at Exhibitions throughout the world. Died 1897, after organising the firm in such a manner that 200 men were daily employed in coping with large orders from every country. An accomplished man, cultured conversationalist, etc. who could proudly boast of any acquaintance with Kaiser Wilhelm, Prince Leopold, and many of the celebrated virtuosi and composers of his country. Spent the last few years of life endeavouring to solve the secret of the varnish of the old Cremona masters. The firm produced all grades of stringed instruments from ten shillings upwards. “Solo Violins” and “Solo ’Cellos” were the personal work of Ludwig. Superior workmanship at the relatively small price of £15. Perfect modelling and replicating of the Messe Strad, or the Paganini Guarnerius, Amati, and Maggini. Finely wooded, richly varnished, and of splendid tone. Produced interesting copies of the Servais and Lübeck Strad ’cellos. Also made bows for artists.
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Neuner & Hornsteiner
Mittenwald in Baiern 1861
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Most brilliant representative of the family. Born at Mittenwald, 1840. Trained in the workshop of his father Johann; worked with Andreas Engleder at Munich, also studied ’cello playing with Werner at the Conservatorium. Proceeded to Vienna where he was assistant to Gabriel Lembock; then spent six years under the guidance of J. B. Vuillaume at Paris; also continued his ’cello studies by taking lessons from Franchomme. The cleverness of his sub...